#Verdana cyrillic font code#

At a given element and for each character in that element, the UAĪssembles the font properties applicable to that element.If there are two fonts with exactly the same properties, the user Properties of all the fonts of which the UA is aware. The User Agent makes (or accesses) a database of relevant CSS 2.1.Possible across UAs (assuming that the same library of font faces is Insure that the results of this matching process are as consistent as The properties are matched in a well-defined order to Properties, matching of properties to font faces must be doneĬarefully. Therefore it is not a simple problem to map typicalįont selection properties to a specific font.īecause there is no accepted, universal taxonomy of font Labeled as being Oblique, Slanted, Incline, Cursive or E.g., 'italic' isĬommonly used to label slanted text, but slanted text may also be Unfortunately, there exists no well-defined and universallyĪccepted taxonomy for classifying fonts, and terms that apply to oneįont family may not be appropriate for others. Setting font properties will be among the most common uses of style The CSS Working Group is also developing CSS level 2 revision 2 (CSS 2.2). Please, see 'Cascading Style Sheets (CSS) - The Official Definition' in the latest CSS Snapshot for a list of specifications and the sections they replace. So there you have a few of the differences between proportional and non-proportional fonts.Note: Several sections of this specification have been updated by other specifications. However, there is an element of humor in finding numbers that have various figures “pictured” in their digits when formatted in a certain way. Concerning “concrete mathematics,” there is of course no meaning to relate in the numbers presented.

A famous example is George Herbert’s (1593-1633) poem “Easter Wings” in which its two stanzas are wing-shaped.

Poems dubbed “concrete” are those in which the typographical arrangement of words or symbols plays a direct role in conveying the “meaning” of the poem. Numbers that enjoy certain properties, such as primality or being a square number, and that also contain some type of visual component is a concept closely related – in my mind at least – to that of “concrete poetry,” which is also related to ASCII art. It is used to display text in computers and other electronic communications equipment.ĪSCII artists arrange these characters into pictures for display on computer screens, and the medium relies on non-proportional fonts so everything will line up properly and so the same image can be seen when viewed on different computer platforms.

#Verdana cyrillic font code#

ASCII stands for ‘American Standard Code for Information Interchange’ and is a system of character encoding that uses the English alphabet. Examples of non-proportional fonts are Fixedsys, Prestige Elite, ProFont, and Angelus III (the latter is rather unusual since it’s a ‘handwritten’ looking fixed-width font).Īnother use for non-proportional fonts is in ASCII art, which is a text based art form presented on computer screens made with the simple ASCII-based character set. And programmers still use non-proportional fonts today since it’s easier to distinguish certain characters with them. Because every object on the screen would be a fixed amount of distance away, they could plot out things much easier in their programs. Why? Because the early typewriters used rollers that moved to the left every time a key was pressed, and since they had no way of determining which key was going to be used next, the roller had to move a fixed amount of distance to allow room for the next letter thus the characters all had to use the same amount of space.Įarly computers also used non-proportional fonts so programmers could display graphics easier. Old fashioned typewriters and early computers used fixed-width fonts exclusively. When characters need to be lined up neatly in fixed columns, a non-proportional font such as Courier or Monaco can be used. Non-proportional fonts are mainly used for formatting purposes. Most people find these types of fonts easier to read and more aesthetically pleasing than non proportional fonts, which is why they appear more frequently in published material. Some of the most popular proportional fonts are Times New Roman, Arial, Verdana and Georgia. A proportional font uses varying widths to display each of its letters and symbols, while a non-proportional font uses the same fixed width to display its characters.